September C. Fawkes graduated with an English degree with honors from Dixie State University, where she was the managing editor of The Southern Quill literary journal and had the pleasure of writing her thesis on Harry Potter.
Today she works for a New York Times best-selling author, is penning a novel, and sharing writing tips on her blog, which you can find at www.SeptemberCFawkes.com
Alright, James here! So that was the bio of September C. Fawkes that she asked me to place with this guest post. If you read this and thought, "Wow, she sounds like an awesome person," then I have to tell you that, no, she doesn't sound awesome. She *IS* awesome. If I could figure out a way to bottle
|Proof that I actually have met her|
In the meantime, I encourage you to visit her blog, especially if you are a writer. Her writing tips are phenomenal, well thought out, relevant, entertaining, and helpful. Just like September herself. Well, she might not be well thought out; I wouldn't even know what that means. Her coolness seems to come naturally and without thought. So, never mind that.
Anyway... Voice by Sept--oh, wait, before you dive in, at the bottom is one of her awesome contests. Be sure to enter! Okay, now, for the good part... Voice by September C. Fawkes:
I'm kind of embarrassed to admit I didn't have much of an understanding of character voice at the beginning of this year. None of my professors in college really talked about it. I think I remember learning the definition in high school and reading it briefly in a few writing tips.
In truth, I've probably heard the fact that "Voice is one of the biggest draws for getting an agent or editor" more than I've actually heard tips on writing voice. Since then, I've gotten to the heart of what voice is. Or so I think. You'll have to judge for yourself. Here's what I found for anyone who might be struggling like I once was, or anyone who wants to learn more.
First, by definition, "voice" can refer to the writer's style, the narrator's style, or, your characters' persona, thoughts, speech patterns, and word choice.
Sometimes when people think of character voice, they think of first-person narration, but really, all characters have a voice of their own, even if they aren't telling the story.
To illustrate, here are three lines from Harry, Ron, and Hermione:
- "Don't go picking a row with Malfoy, don't forget, he's a prefect now, he could make life difficult for you..."
- "Can I have a look are Uranus too, Lavender?"
- "I don't go looking for trouble. Trouble usually finds me."
If you've read the books, I bet you can tell who said what.
Voice is made up of two things: What the character talks (or sometimes thinks) about, and how she says it. In other words:
What the Character Thinks or Talks about + How She Says it = Voice
Hermione believes in following rules and frequently tells Ron and Harry to do likewise. She's also very logical and intelligent. In the first line above, she chooses to warn Harry, and then explains, logically, why he should heed her warning. Ron usually says those comical one-liners, and his language is usually a little coarser than the other two. Because Harry is frequently accused of things, he often has to defend himself, "I don't go looking for trouble."
What Your Character Talks About
So, What does your character choose to talk about? What does he not talk about?
They don't casually strike up conversations about advanced battle tactics; they don't have a war-based background. And any conversation they do have about battle tactics wouldn't be on the same level as a warrior.
So their background, culture, interests, and experience influence their voice.
If your character is a nutritionist, she might look at her lunch and talk about complex carbs, protein, calories, and vitamins. A fashionista might notice that her best friend is wearing this season's color. A dentist might see people's teeth first.
Remember, what your character chooses to talk about reflects what he's thinking about. I know that sounds obvious, but have you really considered it? If your character says something, it's also conveying to your reader what's on his mind at that moment.
You can work that to your advantage by having your character say something surprising in a specific situation. (Tweaking an example from my own manuscript,) if I have a character break up with her boyfriend, and she's crying, and someone tries to comfort her, and she says, "It's not Zach so much. Now I have to go to the dance looking like a complete idiot." Not only is the response surprising--she's not crying over the loss of Zach, but her potential embarrassment--it also reveals character--she's more concerned with her image than the loss of her significant other.
Having that specific line stated in that situation conveys a lot about the character and her relationship with her boyfriend. It conveys what she's thinking about most.
In Part 2 of this, I delve into how characters talk, mentioning some of the potential problems and a few minor techniques you can use for a character's voice. You can Read Part 2 here.
September's guest post isn't just informative, but gives you the opportunity to get free stuff. That's right, not just stuff. I'm a fan of stuff. This comes with FREE stuff! Well, a contest to win it, at any rate.
Click on the picture for more information.